by Robert Browning

That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will 't please you sit and look at her? I said
'Frà Pandolf' by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus.


1

                                                         Sir, 't was not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say, 'Her mantle laps
Over my lady's wrist too much,' or 'Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat:' such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy.

                                                           She had
A heart -- how shall I say? -- too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 't was all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace -- all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men, -- good! but thanked
Somehow -- I know not how -- as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift.


1

                                         Who'd stoop to blame
This sort of trifling? Even had you skill
In speech -- (which I have not) -- to make your will
Quite clear to such an one, and say, 'Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark' -- and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse,
-- E'en then would be some stooping; and I choose
Never to stoop.


2

                                 Oh, sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together.


1

                                                                There she stands
As if alive. Will 't please you rise? We'll meet
The company below then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretence
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay, we'll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!

Posted by RG on February 10, 2008
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Total comments on this page: 10

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RG on whole page :

Note: The poem is not broken into paragraphs like it is here. I broke it up in what I believe to be logical places in order to make it more suitable to the CommentPress format.

February 10, 2008 10:22 am
maegan on whole page :

I really enjoyed this poem because it read like a story. The duke is a proud man who could not accept that his wife appreciated the kindness or gift of a laborer or servant the same as she did the “honor” he bestowed upon her when he married her. The lady seemed to take pleasure in everyday life and treated all with the same smiling kindness. To her husband she was not showing enough dignity for her rank as his wife. He felt that she lumped him together with commoners when she gave him the same smile she gave to everyone else. It seems he is warning the messenger that his next prospective duchess had better have a good understanding of her place in the world and that she should behave according to it. He is also very nonchalant about the fact that he had his last wife killed for what he percieved as a lack of respect. He moves right past the painting of her and begins to discuss a statue.

February 13, 2008 9:08 am
Brenda on whole page :

What a cold blooded B_____D! He’s definitely suffering from a few control issues I’ld say.

It seems she was too accomondating for him. Too placid, she didn’t fawn over him enough, so he got rid of her and went about getting another piece of art that better suited his taste.

He seems his view of women and art are the same. They are objects to be owned, controled, and used as one pleases. It’s like he apreciates her more as a painting than as a person. After all he is in complete control now. As a painting she is a “piece of wonder”. Now she belongs to him alone.

February 14, 2008 11:45 am
Brenda on paragraph 3:

In this stanza his jealousy is very obvious. Now he can pretend he is the cause of the spot of joy on her cheeks.

February 14, 2008 11:46 am
Brenda on paragraph 6:

He was even jealouse of her enjoyment of nature it appears. He did not seem to like things he could not control, like nature, joy, gifts, and gratitude. “Her looks went everywhere” - but..now she just looks at me.

Diabolical!!!
I think I have been reading to much Frankenstein?

February 14, 2008 11:52 am
Brenda on paragraph 6:

I murdered her….anyway back to business. I need a new wife.

A good blood chilling poem, reminded me of Hannibal.

February 14, 2008 11:55 am
Danielle on whole page :

I think he was such a jerky and arrogant guy. He did not seem to trust his wife very much when he says that she laid eyes on things she liked (and she liked everything). I agree with Brenda that he may have been just a little bit controlling. Poor girl!

What does this mean: ‘Paint Must never hope to reproduce the faint Half-flush that dies along her throat”

Did he strangle his wife to death??

February 14, 2008 2:14 pm
Danielle on paragraph 7:

He basically doesn’t even think twice about her death from what one gathers here. He feels that he has described what he wants in his new duchess, and there is nothing more to be said on the matter. He changes the subject quickly here and wants to move on to other issues.

February 16, 2008 11:31 am
Kassidy on whole page :

Note: Dr. Gray I know I’m late on these, but I’m a little preoccupied with me dog right now..I’m sorry.

I do not really like this poem. The guy is a complete jerk for one thing. He is an arrogant bastard. I hate the fact that he killed his wife and got away with it and whats worse is that he tells the agent exactly what he expects out of the counts daughter as if he saying if she is anything else she will meet the same fate as his previous wife.

February 17, 2008 9:22 pm
Randi on paragraph 5:

I think the most interesting idea that we discussed about this part of the poem, is that he is so egotistical. Everything is about what his wife was doing wrong, he never really took responsibility for anything that was happening around him. He blatantly says that she is not worth the time or effort to teach her maturity or anything else for that matter. He’s so upset with the fact that she is unworthy of his love, that he can see nothing else that exists within their relationship.

February 17, 2008 9:57 pm

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